Spending time with Zachary Mason’s EP 5…4…3…2…1… feels a bit like getting pulled into a late-night conversation that starts off casual and slowly turns into something you keep thinking about afterward. It’s one of those releases that doesn’t fully reveal itself straight away, but the more you sit with it, the more it starts to click. The EP moves with a loose confidence, never sounding boxed in or overly polished, which makes it feel human and lived-in.
The opening track, “5…4…3…2…1…”, eases you into its world with a slow, curious build that never feels dramatic for the sake of it. The guitars stretch and drift, sometimes sounding like they’re floating just slightly out of reach, while the drums keep things steady and grounded. There’s a real sense of movement here, like something big is happening nearby, and you’re watching it unfold from a distance. It sets the stage without spelling everything out, which makes it easy to sink into and let your imagination do some of the work.
The second track, “The Funky Martians”, takes a sharp turn and brings in a playful energy that feels genuinely fun. There’s humor woven into the sound, but it never tips into novelty territory. The rhythms bounce around, melodies appear and disappear, and the whole thing feels spontaneous, like a jam session that wandered into something memorable. It’s the kind of track that makes you smile without really knowing why, and that carefree attitude gives the EP a welcome lift.
By the time the final track, “Earthsick”, arrives, the mood settles into something more reflective and quietly emotional. The pacing slows, the arrangements breathe a little more, and the melodies linger longer than before. There’s a subtle sense of unease running under the surface, paired with a feeling of regret and longing that comes across without needing big gestures. Knowing Zachary handles the bass himself here using a keyboard adds an intimate layer, and it feels like a personal moment tucked at the end of the journey.
Across all three tracks, the blend of space rock, psychedelic textures, and experimental ideas never feels forced. Nate Barnes’ drumming adds drive and character, while John Thomasson’s bass work on the first two songs gives them a strong foundation. The mixing keeps everything clear while leaving the rough edges intact, which suits the personality of the EP perfectly.
5…4…3…2…1… rewards patience and curiosity, and it sticks with you because it leaves space for your own thoughts to wander. Follow Zachary Mason on social media and Spotify to stay updated on new releases and see where his music heads next.
